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Published by Anthem Press, 2013
ISBN 10: 1783080639ISBN 13: 9781783080632
Seller: Books From California, Simi Valley, CA, U.S.A.
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Published by MacMillan Publishers, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by MacMillan Publishers, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Academic, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Publishing (UK) 2024-02-22, London, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
Seller: Blackwell's, London, United Kingdom
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ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Paperback. Condition: new. Paperback. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Bloomsbury Academic, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Academic, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Academic, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury USA Academic, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
Seller: Revaluation Books, Exeter, United Kingdom
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Published by Bloomsbury Academic, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Publishing PLC, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
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Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
Seller: AussieBookSeller, Truganina, VIC, Australia
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Paperback. Condition: new. Paperback. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 1350451452ISBN 13: 9781350451452
Seller: CitiRetail, Stevenage, United Kingdom
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Paperback. Condition: new. Paperback. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Bloomsbury Academic, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: SecondSale, Montgomery, IL, U.S.A.
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Published by MacMillan Publishers, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: INDOO, Avenel, NJ, U.S.A.
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Published by MacMillan Publishers, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: INDOO, Avenel, NJ, U.S.A.
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Published by Bloomsbury Publishing PLC, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
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Published by Bloomsbury Academic, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
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Published by Bloomsbury Publishing PLC, London, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
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Hardcover. Condition: new. Hardcover. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Bloomsbury Academic, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by Bloomsbury Publishing, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: Majestic Books, Hounslow, United Kingdom
Book
Condition: New.
Published by Bloomsbury USA Academic, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 256 pages. 9.21x6.14x1.00 inches. In Stock.
Published by Bloomsbury Publishing PLC, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Published by Bloomsbury Academic, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Condition: As New. Unread book in perfect condition.
Published by Bloomsbury Publishing PLC, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Published by Bloomsbury Publishing PLC, London, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: CitiRetail, Stevenage, United Kingdom
Book
Hardcover. Condition: new. Hardcover. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Bloomsbury Publishing PLC, London, 2022
ISBN 10: 1350181978ISBN 13: 9781350181977
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Hardcover. Condition: new. Hardcover. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.