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Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Book
Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
Published by Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: HPB-Ruby, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: HPB-Diamond, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book
Condition: Used - Very Good. 2013. Paperback. Very Good.
Published by Paul Holberton Publishing, London UK, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Chequamegon Books, Washburn, WI, U.S.A.
Book
Paperback. Condition: As New. 120 pages. accompanying the exhibition at Huntington Library San Marino CA. ".this book examines the significance of the mulitple versions of designs that the artist produced during the 1780s." ; 8 1/2 x 10 1/8 ".
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by PAUL HOLBERTON, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Chapitre.com : livres et presse ancienne, LAMNAY, France
Book
Paperback. Condition: OKAZ. Inspired by the recent identification of a third autograph version of Gainsborough's masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsborough's work became more personal, more thoughtful. This study of the last phase of the artist's work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsborough's creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of 'fancy' pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between 'fancy' pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family.Hugh belsey is currently Senior Research Fellow at the Paul Mellon Centre for Studies in British Art with the task of writing the definitive catalogue of portraits by Thomas Gainsborough. - Nombre de page(s) : 128 - Poids : 560g - Genre : Monographie / Histoire de l'art / Essais / Dictionnaires.
Published by Paul Holberton Publishing March 2020, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: 2nd Act Books, Charlottesville, VA, U.S.A.
Book
Trade Paperback. Condition: Used - very good.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: ubucuu, Bucharest, Romania
Book
Paperback. Condition: New.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Inspired by the recent identification of a third autograph version of Gainsborough's masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Pearlydewdrops, Streat, United Kingdom
Book
Paperback. Condition: New. Shipped from the UK within 2 business days of order being placed.
Published by Paul Holberton Pub, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 128 pages. 10.08x8.43x0.71 inches. In Stock.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: Gallix, Gif sur Yvette, France
Book
Condition: Neuf.
Published by Paul Holberton Publishing Ltd, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Book
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: AHA-BUCH, Einbeck, Germany
Book
paperback. Condition: Gebraucht. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - Inspired by the recent identification of a third autograph version of Gainsborough¿s masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsborough¿s work became more personal, more thoughtful. This study of the last phase of the artist¿s work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsborough¿s creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of¿fancy¿ pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between¿fancy¿ pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family.
Published by Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
paperback. Condition: Neu. Neu Neuware auf Lager, Sofortversand - Inspired by the recent identification of a third autograph version of Gainsborough¿s masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsborough¿s work became more personal, more thoughtful. This study of the last phase of the artist¿s work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsborough¿s creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of¿fancy¿ pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between¿fancy¿ pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family.
Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Paul Holberton Publishing Ltd, London, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Paperback. Condition: new. Paperback. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsboroughs work became more personal, more thoughtful. This study of the last phase of the artists work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsboroughs creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of`fancy pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between`fancy pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Paul Holberton Publishing Ltd, London, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Seller: CitiRetail, Stevenage, United Kingdom
Book
Paperback. Condition: new. Paperback. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsboroughs work became more personal, more thoughtful. This study of the last phase of the artists work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsboroughs creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of`fancy pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between`fancy pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.