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Published by Evergreen
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.95.
Published by MACULA, 2016
ISBN 10: 2865890899ISBN 13: 9782865890897
Seller: medimops, Berlin, Germany
Book
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Paperback. Condition: Good. Sixth printing, 1971, with a different cover by Robert Frank from the first printing. No text markings noted.
Published by Heyday Books, 1997. First Edition. (1), 1997
Seller: The Bookstall, Richmond, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. Large format paperback with illustrated front cover, 240 pages an anthology of authors related to the city of Berkeley, California. Ink name, inscription and date on front end paper, else Fine.
Published by Steidl 2008-08-04, Gottingen, 2008
ISBN 10: 3865216730ISBN 13: 9783865216731
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
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Published by Ballantine, N.Y., 1973
Seller: Wagon Tongue Books, Linden, AB, Canada
Book
Paper. Condition: Good ++. Robert Frank (cover) (illustrator). First Thus. The author begins this 183 page autobiographical with a personal picture - a kind of Name, Rank and Serial Number list, that includes a work history. First glimpses of a tonge-in-cheek style. Then we move from the West Coast seaports of America to the streets of Paris, France, to Tangier White City - Morocco. Concludes with a piece on the American hobo. UNillustrated. Mix in a bit of drink and marijuana. Read more about : Arkansaw Charley, Notre Dame, Mt. Baker National Forest, defawdle, Chinese laundries, denny Blue, Arab Negress maid, Frisco of Walkup and Sherman Local. Cond : Paper wrapper is white with black lettering. Front cover graphic is a photo portrait of Jack by Frank. Condition has been down-graded by the heavy under-lining and note making of p/o. P/o name verso front cover. Light cover crease. Binding tight, volume square, light soiling. No tears. Very good reading copy only. Quote (p. 57) : " . that made kicked cars keep going and you had to ride them brake them and stop them up with blocks. Lessons I learned there, like, `Put , tie a good brake on him, we don't want to start chasin' the sonofabitch back to the City when we ._._._.' .".
Published by HarperCollins Publishers, 1993
ISBN 10: 0002552086ISBN 13: 9780002552080
Seller: Goodwill of Colorado, COLORADO SPRINGS, CO, U.S.A.
Book
Condition: Good. This item is in overall good condition. Covers and dust jackets are intact but may have minor wear including slight curls or bends to corners as well as cosmetic blemishes including stickers. Pages are intact but may have minor highlighting/ writing. Binding is intact; however, spine may have slight wear overall. Digital codes may not be included and have not been tested to be redeemable and/or active. Minor shelf wear overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!.
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Published by New York: Grove Press, Inc., 1966
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, 96pp, printed wrappers. Nice copy of a peak sixties issue of this important little magazine, includes the first installment of Kerouac's Satori in Paris, plus writing by Beckett and Robbe-Grillet, other interesting content. Unmarked copy with light wear and toning. Not Signed.
Published by Steidl, Gottingen, 2005
ISBN 10: 3865210139ISBN 13: 9783865210135
Seller: KULTURAs books, Los Angeles, CA, U.S.A.
Book First Edition
Paperback. Condition: As New. Stated First Edition; First Printing. Softcover. Limited edition. Illustrated cover, pristine. Book is firm in binding - As New. A lovely copy, crisp and clean. Co-published by the Museum of Fine Arts, Houston; edited by Anne Wilkes Tucker. With text by Jonas Mekas, Jack Kerouac, Walker Evans, and others; includes letters by Frank. Free of any markings, not ex-library.; 4to 11" - 13" tall; 111 pages.
Paperback. Composed in two paginations: 104p. plus another section of about 90p., the Fitzhugh Ludlow novel printed four facsimile pages to one (totaling 371 in the plate). A huge (15.5x 11.5 inch) softbound, rubricated title, presswork on what amounts to newsprint. Few illustrations but the few photographs include several by Robert Frank. Paperstock is very toned, fragility an issue, eccentric trimming of foredge, an oddity in most every respect; good condition, handleable if done gingerly. Includes Kerouac's "The Flying Horses of Mein-Mo," Ginsberg's "Aether," a play by John Ashbery, materials on Cuba, and the complete facsimile text of Ludlow's "The Hasheesh Eater.".
Published by Steidl/National Gallery of Art, 2008
ISBN 10: 386521584XISBN 13: 9783865215840
Seller: Book Deals, Tucson, AZ, U.S.A.
Book
Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.75.
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Published by Corinth/Citadel, New York, 1960
Seller: Tony Power, Books, North Vancouver, BC, Canada
Book First Edition
Original Wraps. Condition: Very Good. McDarrah, Fred (illustrator). First Edition. Touch of edgewear else near fine -- photogr. wraps. Anthology of 45 NYC Beat writers. Photographs by Fred McDarrah'. $1.95 cover price.
Published by New York: Grove Press, Inc., 1957
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 160pp, printed wrappers. Poet Douglas Blazek's copy, with his ownership signature on first interior page (no other markings). Early issue of Evergreen Review, featuring a Robert Frank cover and writing by Kerouac, Ginsberg, Olson, et al. Subscription card laid in. Light wear and toning. Signed by Author(s).
Couverture souple. Condition: Très bon. Dust Jacket Condition: Très bon. Edition originale. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Les haillons du réalisme par Pierre Léon - Bleu Antonioni par Adriano Aprà - L'imitation de la Parole selon Oliveira par Xavier Carrère - L'écran et le scénario par Frédéric Sabouraud - Sauver l'image par Raymond Bellour - La vingt-cinquième image par Chantal Akerman - Schefer analyste (éloge) par Jacques Aumont - Interpréter, lire, commenter par Jean Louis Schefer - Il faut sortir de la forêt par Serge Bozon - À mes parents par Sylvie Pierre - « Raconte-moi des histoires » par Leslie Kaplan - Grand Hôtel Solitude par Eric de Kuyper - Hollywood, inventaire critique (4) par Tag Gallagher - Sur la route de la Floride par Jack Kerouac - Lettres de New York par Robert Frank - Qui voit Dieu meurt par P. Adams Sitney.
Couverture souple. Condition: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Les haillons du réalisme par Pierre Léon - Bleu Antonioni par Adriano Aprà - L'imitation de la Parole selon Oliveira par Xavier Carrère - L'écran et le scénario par Frédéric Sabouraud - Sauver l'image par Raymond Bellour - La vingt-cinquième image par Chantal Akerman - Schefer analyste (éloge) par Jacques Aumont - Interpréter, lire, commenter par Jean Louis Schefer - Il faut sortir de la forêt par Serge Bozon - À mes parents par Sylvie Pierre - «Raconte-moi des histoires» par Leslie Kaplan - Grand Hôtel Solitude par Eric de Kuyper - Hollywood, inventaire critique (4) par Tag Gallagher - Sur la route de la Floride par Jack Kerouac - Lettres de New York par Robert Frank - Qui voit Dieu meurt par P. Adams Sitney.
Published by Scalo Publishers, New York, 1998
ISBN 10: 3931141802ISBN 13: 9783931141806
Book
Hardcover. Condition: As New. Dust Jacket Condition: As New. 3rd Edition. Third Scalo edition stated. AS NEW. No wear to the binding. No slope, no twist from reading or improper shelving. No bumped corners. No broken hinges. Pages tight and clean with no marks. No remainder mark. No name of previous owner. No musty odor. No tobacco odor. No water stains. No soiling. The as new dust jacket shows no wear, no sun fading. DJ in an archival grade protector.
Published by Steidl, Göttingen, 2017
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Hardcover with Dust Jacket. Condition: Fine. Dust Jacket Condition: Near Fine. Eleventh Edition. Oblong 8vo. Unpaginated. Introduction by Jack Kerouac. Tri-tone gravure reproductions of black & white photographs. Black cloth, titles stamped in light gray on the spine. In the black & white photo illustrated dust jacket with red promotional band. Photos taken 1955-56, first published in France in 1958, then with Kerouac's introduction in the US in 1959. This Steidl edition produced in collaboration with the photographer and beautifully printed in Germany, was first published on the work's 50th anniversary in 2008.Dust jacket and red promo band are now preserved in a removable clear archival sleeve.
Published by New York: The Hasty Papers, 1960
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st edition. Near VG. Folio, ~128pp (printed two-column), printed wrappers. Alfred Leslie's unique one-shot review from 1960, containing a delirious amalgam of literary and countercultural contributors (including Fitzhugh Ludlow's The Hasheesh Eater, reproduced in its entirety). Unmarked copy, typical toning of interior newsprint stock, a little toning, soil and wear to covers (1-1/4" closed tear at top of spine). Highly recommended. Not Signed.
Published by New York: Yugen, 1960
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 52pp, stapled wrappers. Seminal Beat-era little magazine edited by LeRoi Jones. Includes the first publication of "Rimbaud" by Jack Kerouac. A mimeographed advance flyer for the first issue of Kulchur magazine is laid in. Sound copy, minor spotting to covers. Not Signed.
Published by Pantheon, New York, 1986
Seller: David Gaines, Eureka, CA, U.S.A.
Book First Edition
Original Wraps. Condition: Very Good. No Jacket. Frank, Robert (photographs) (illustrator). First Thus. Very good+ in original wraps, small stain to spine, some yellowing of wraps. 176p., b&w photography by the American master. Great introductory essay by Jack Kerouac. "That crazy feeling in America when the sun is hot on the streets and music comes out of the jukebox or from a nearby funeral." 8vo - over 7¾" - 9¾" tall.
Published by Scalo Publishers, 1995
ISBN 10: 1881616126ISBN 13: 9781881616122
Seller: Broad Street Books, Branchville, NJ, U.S.A.
Book
paperback. Condition: Very Good. Book is in very nice condition, text is unmarked and pages are tight.
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Published by Rhino Records, Santa Monica, CA, 1990
Seller: The Green Arcade, San Francisco, CA, U.S.A.
Audio Book (Cassette). Condition: Very Good. Set of four casette tapes and 32-page booklet in case. All casettes tapes playable. Points of light rubbing along edges of box. Points of moderate to hard rubbing along spine of booklet. Booklet is staple bound, 11 x 11 in.
Published by Aperture / Museum of Modern Art, 1968
Seller: Acme Book Company, Fayetteville, NY, U.S.A.
Paperback. Condition: Very Good-. Revised and enlarged edition. Title page lists Aperture and MOMA as publishers; sticker on rear states Grossman Publishers. Light staining and wear; top to bottom crease on front with smaller creases and bottom corner.
Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First hardcover edition. Fine in pictorial boards, without dust jacket as issued. (Unpaginated) Introduction by Jerry Tallmer. ; 5" x 8"; 64 pages 978-3-86521-673-1.
Published by Grove Press, New York, 1961
Seller: Lorne Bair Rare Books, ABAA, Winchester, VA, U.S.A.
First Edition
First Edition. First printing. Small octavo; stiff pictorial wraps; 38pp text + photo illus. Faint creasing, moderate rubbing and soil to covers. By no means a standout copy, but still Very Good, free of markings or internal wear. Text, mainly by Kerouac (but the title poem co-written by Kerouac and Ginsberg) for the short film produced by Robert Frank and Alfred Leslie, documenting life within the "highest echelons of Beat society" (from the rear cover blurb).
Published by Aperture, New York, 1978
ISBN 10: 0893810339ISBN 13: 9780893810337
Seller: Carothers and Carothers, Albany, CA, U.S.A.
Book
Hardcover. Condition: Good. Dust Jacket Condition: Good. 178 pages. Publisher's binding sturdy, a small splash mark to rear panel; contents unmarked. Edgewear to dust jacket, with fraying at head and foot of spine. 1400 grams.
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Published by Grove Press, New York, 1961
Seller: David Gaines, Eureka, CA, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. No Jacket. Various (film stills) (illustrator). First. Boards(library binding) in original wraps, near fine ex libris w/ pocket and typed Dewey decimal spine label. No other flaws in library marking, or mark of any kind, library binding by Vinabind, very appealing copy of this scarce Beat classic. Introduction by Jerry Tallmer. Text by Kerouac, film stills featuring Allen Ginsburg, Peter Orlovsky, Gregory Corso, David Amram, photos by John Cohen. Author photos of Kerouac by John Cohen frontis. Size: 8vo - over 7¾" - 9¾" tall.
Published by NY: Grove, [1961]., 1961
Seller: Skyline Books, Forest Knolls, CA, U.S.A.
Manuscript / Paper Collectible First Edition
First edition of this trade Paperback Original. Kerouac's "ad-libbed" text for Robert Frank's beat film Pull My Daisy. Illustrated with stills from the movie. Bright, near fine copy with a touch of barely perceptible fading to the colored spine lettering.
Published by Zürich - Berlin - New York, Scalo, 1993. Erste deutsche Auflage., 1993
ISBN 10: 3905080397ISBN 13: 9783905080391
Book
Hardcover. Gr.-8°-quadratisch. Original-Ganzleinenband im Original-Schutzumschlag. 179 Seiten mit zahlreichen, ganzseitigen, schwarz-weiß Abbildungen. Richtig gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie den Sommer und bestellen Sie ein Buch bei uns! Foto.
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Steidl. 2012. 8°. Slim octavo. 88 (4) Seiten / pages. DVD + a text booklet with an introduction. In printed cardboard box. Pull My Daisy is a collectable object containing Robert Frank's famous film of 1959 on DVD; a text booklet with an introduction, the transcript of the film and lyrics to the opening song; and a photo-magazine of on-set documentary photos by John Cohen. Pull My Daisy typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Pull My Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It stars Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, the movie tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959. Frank's other important projects include the books Black White and Things (1952), and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones. He divides his time between New York City and Nova Scotia, Canada. - Tadellos. Noch in Schutzfolie verschweißt. Fine copy. Still sealed. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.