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Published by Pont Books, 1996
ISBN 10: 1859023266ISBN 13: 9781859023266
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. Lawrie, Robin (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Forgotten Books, 2018
ISBN 10: 133068673XISBN 13: 9781330686737
Seller: Forgotten Books, London, United Kingdom
Book Print on Demand
Paperback. Condition: New. Print on Demand. Excerpt from English Pronunciation for Foreigners. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
Published by Wild Horse Press, 2013
ISBN 10: 0977161056ISBN 13: 9780977161058
Seller: HORSE BOOKS PLUS LLC, Boston, VA, U.S.A.
Book First Edition
Paperback. Condition: Fine. No Jacket. First Edition. Negligible rub to upper tip of frt cover from storage, 265pp text appears unread, no marks, tears or soil. Uncreased glossy olive green background paperback with b/w photo of B & C on cover riddled with bullet holes. Originally published in 1934 and rushed to press only three months after Clyde Barrow and Bonnie Parker met their bloody end, Fugitives: The Story of Clyde Barrow and Bonnie Parker, offers a behind the scenes glimpse into the lives of two of America's most infamous criminals. The story is told by their family members who often met them in secret locations and dreaded the news of their deaths daily. While some researchers question many of the facts in the original book, it does contain letters, diary entries and more that that will help the reader draw their own conclusions about this deadly duo.
Published by DC Comics, 2015
Seller: El Pinarillo Books, Morden, United Kingdom
Comic. Condition: New. Pencils: Jan Duursema, Tyler Kirkham, Eduardo Pansica, Eddy Barrows. Inks: Jonathan Glapion, Joe Weems, Jaime Mendoza, Eber Ferreira. Cover: Ardian Syaf, Guillermo Ortego, Michael Atiyeh (illustrator). New and unread. Sent in a comic bag with backing board as well as our usual protective packaging. Book.
Published by Wild Horse Press, 2013
ISBN 10: 0977161056ISBN 13: 9780977161058
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 266 pages. 8.46x5.51x0.75 inches. In Stock.
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Published by The Author
Seller: Goldstone Rare Books, Llandybie, CARMS, United Kingdom
Paperback. Condition: Good. First Edition. First edition. The cover is clear of stains and marking. The hinges are in good condition. The page edges are clean. The text to the spine is clear and bright. Photograph available on request.
Published by Philip Steadman, Cambridge, 1968
Seller: William Allen Word & Image, London, United Kingdom
First Edition
Condition: Good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Spotting, handling and wear to covers and some pages. As seen, first four pages have heavy crease top right corner. No tears or writing. reference copy only. Good.
Published by Cambridge University Press, UK, 1995
ISBN 10: 0521476801ISBN 13: 9780521476805
Seller: SAVERY BOOKS, Brighton, East Sussex, United Kingdom
Book
Soft cover. Condition: Very Good. Reprint. Paperback 1995 reprint. Flat spine. Minor creasing to covers. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref b20. Physics and Our View of the World.
Published by Author, 1999
Seller: Castle Hill Books, Llandrindod Wells, United Kingdom
Paperback. Condition: Fine. 166pp, maps and line drawings, ; 8vo 8" - 9" tall.
Published by Philip Steadman, Cambridge, 1968
Seller: William Allen Word & Image, London, United Kingdom
First Edition
Condition: Very Good+. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Some light toning to covers, Internally and overall Very Good+.
Published by 0, London
Seller: William Allen Word & Image, London, United Kingdom
Paperback. Condition: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia.