Items related to Subjective Objective: A Century of Social Photography
One of the most emotional of all photographic genres, socio-documentary photography established itself in the twentieth century with the goal of shining a light on the lives of socially disadvantaged people. Pioneers like Berenice Abbott, Max Alpert, LaToya Ruby Frazier, Alexander Rodchenko, and Weegee—to name but a few—used their powerful photos on behalf of people whom society largely ignores.
This volume assembles iconic socio-documentary photographs, demonstrating how the genre developed in the United States, Europe, the Soviet Union, and elsewhere, and considering new directions for the genre under the influence of social media today. A beautifully illustrated survey of photography in the social sphere, Subjective Objective shows the passion of the photographer to bring about political and social change.
Exhibtion: Zimmerli Art Museu, Rutgers University, New Brunswick, NJ
September 5, 2017 – January 1, 2018
This volume assembles iconic socio-documentary photographs, demonstrating how the genre developed in the United States, Europe, the Soviet Union, and elsewhere, and considering new directions for the genre under the influence of social media today. A beautifully illustrated survey of photography in the social sphere, Subjective Objective shows the passion of the photographer to bring about political and social change.
Exhibtion: Zimmerli Art Museu, Rutgers University, New Brunswick, NJ
September 5, 2017 – January 1, 2018
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About the Author:
Donna Gustafson is Andrew W. Mellon Liaison for Academic Programs and curator at the Zimmerli Art Museum at Rutgers University. Andrés Mario Zervigón is associate professor and undergraduate director of the Department of History and Photography at the Rutgers School of Arts and Sciences.
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- PublisherHirmer Publishers
- Publication date2018
- ISBN 10 3777429538
- ISBN 13 9783777429533
- BindingHardcover
- Edition number1
- Number of pages368
- EditorGustafson Donna, Zervigón Andrés Mario
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Book Description Hardcover. Condition: new. Hardcover. Generously illustrated with photographs from early twentieth century reformers to contemporary artists, this collection of essays re-examines the genre of social documentary photography through the shifting lens of photographic objectivity, modes of dissemination, and the passions animating documentary projects.While the public's acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium's transparency, testing our wish to see pictures inspire social change.Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastiao Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al. "Accompanies the exhibition Subjective Objective: A Century of Social Photography organized by the Zimmerli Art Museum Rutgers, The State University of New Jersey September 5, 2017-January 7, 2018." Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783777429533
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Book Description Buch. Condition: Neu. Neuware -Die Bereitschaft, Fotografien als visuelles Beweismittel zu akzeptieren, schuf die Grundlage für Dokumentarfotografie. Gleichzeitig instrumentalisieren und lösen Fotoredakteure durch behutsame Eingriffe Annahmen auf, die die Transparenz des Mediums betreffen, und stellen so unseren Wunsch, Bilder zu sehen, die den sozialen Wandel in Gang setzen, auf die Probe. Mit Werken u. a. von Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodtschenko, Arthur Rothstein, Sebastiăo Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith und Weegee. 368 pp. Englisch. Seller Inventory # 9783777429533
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Subjective Objective
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Book Description Buch. Condition: Neu. Neuware -Die Bereitschaft, Fotografien als visuelles Beweismittel zu akzeptieren, schuf die Grundlage für Dokumentarfotografie. Gleichzeitig instrumentalisieren und lösen Fotoredakteure durch behutsame Eingriffe Annahmen auf, die die Transparenz des Mediums betreffen, und stellen so unseren Wunsch, Bilder zu sehen, die den sozialen Wandel in Gang setzen, auf die Probe. Mit Werken u. a. von Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodtschenko, Arthur Rothstein, Sebastiăo Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith und Weegee. 368 pp. Englisch. Seller Inventory # 9783777429533
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Subjective Objective : A Century of Social Photography
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Subjective Objective : A Century of Social Photography
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Book Description Buch. Condition: Neu. Neuware - Die Bereitschaft, Fotografien als visuelles Beweismittel zu akzeptieren, schuf die Grundlage für Dokumentarfotografie. Gleichzeitig instrumentalisieren und lösen Fotoredakteure durch behutsame Eingriffe Annahmen auf, die die Transparenz des Mediums betreffen, und stellen so unseren Wunsch, Bilder zu sehen, die den sozialen Wandel in Gang setzen, auf die Probe. Mit Werken u. a. von Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodtschenko, Arthur Rothstein, Sebastiăo Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith und Weegee. Seller Inventory # 9783777429533
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