From the Back Cover:
Printmaking: A Contemporary Perspective provides a comprehensive overview of printmaking in all its forms, from seventh century woodcuts to the most recent developments in digital technologies and the ways these are continuing to expand. Clearly organized, the book covers the history and developments of various printmaking techniques, including Relief Printing, Intaglio, Lithography, Screenprinting and Digital Print. Printmaking: A Contemporary Perspective then goes on to feature the work of contemporary artists from around the world working with print, covering topics as varied as hybrid printmaking techniques and practices, and the political imperatives informing the work of artists and printmaking studios. Generously illustrated throughout, Printmaking: A Contemporary Perspective is an up-to-date and essential survey for anyone interested in printmaking and contemporary fine art practice.
About the Author:
Paul Coldwell is an artist, curator and Professor of Fine Art at the University of the Arts, London. His own practice includes prints, book works, sculptures and installations and he has exhibited widely with solo shows at The Eagle Gallery, Freud Museum, Arthouse Dublin, The London Print Studio, and Queens Gallery, Delhi. He has published writings on a number of printmakers including, Morandi, Ardizzone and Rego, with whom he worked with on all her etchings between 1986- 2005 including the Nursery Rhymes, Peter Pan, Pendle Witches, and the Children’s Crusade.
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