The subject, which is taken from Ovid’s Metamorphoses, was regarded in the Renaissance period as offering the greatest possible scope for a painter’s brush – a male and a female nude, strong emotion, pathos, heroism – and, since Adonis was a hunter, dogs as well.
The Venus and Adonis, despite its importance in Annibale’s oeuvre and its monumental size, has been comparatively little studied. This book reveals important new information about Annibale Carracci, technically, creatively, stylistically. The book is superbly produced and illustrated (in five-colour process) and is part of a series of Prado publications devoted to individual masterpieces in the Museum.
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