Review:
This is the seventh in the series of Elizabethan theater mysteries featuring Nicholas Bracewell. A mysterious stranger named Simon Chaloner appears at the Queen's Head Pub following a performance by Westfield's Men, one of the leading theater companies. Chaloner follows Nicholas Bracewell and playwright Edmund Hoode home and gives them a manuscript called The Roaring Boy, based on events surrounding the murder of a mathematician. When Bracewell and Hoode stage the play, the performance causes a riot, and Hoode is imprisoned. In order to save his company, Bracewell must solve the vicious murder on which the play is based. A finalist for the Edgar Award, this, like Marston's other works, is filled with careful period detail as well as suspense.
About the Author:
Keith Miles, aka Edward Marston and Martin Inigo, came from Wales to read Modern History at Oxford. He has been a university lecturer, radio, television, and theatre dramatist, and in addition to writing has worked as an actor, director, and dramatist. He is the author of two mystery series, one Elizabethan in background, the other revolving around the Domesday census of 1086 A.D., and has written mysteries with golf and sports backgrounds under his real name as well as Murder in Prespective, 1997. His Elizabethan novel, The Roaring Boy, was a 1996 Edgar Allan Poe Award nominee for Best Novel. The author is a well known host and raconteur at mystery events and is the 1997 Chairman of the Crime Writers Association. When not travelling or fulfilling speaking engagements, he lives in rural isolation in Kent.
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