Lost Garden - Softcover

HELEN HUMPHREYS is an acclaimed and award-winning author of fiction, non-fiction and poetry. Her work includes the novel > Machine Without Horses, The Evening Chorus > Coventry an > Afterimage > and her non-fiction include > The Ghost Orchard an > The Frozen Thames, as well as the memoir Nocturne. She has won the Rogers Writers’ Trust Fiction Prize and the Toronto Book Award, and she has been a finalist for the Governor General’s Award for Fiction, the Trillium Book Prize, the Lambda Literary Award and CBC Radio’s Canada Reads. The recipient of the Harbourfront Festival Prize for literary excellence, Helen Humphreys lives in Kingston, Ontario.

 

 

 

Evocative, if occasionally clunky, Humphreys's third novel (following Afterimage) is the story of an Englishwoman's search for her place in a world permeated by war. The narrator, 35-year-old Gwen Davis, is a horticulturist who flees bombed-out WWII London to manage a team of "land girls"-women who grow vegetables as part of the war effort-at a country estate. She struggles to manage her wayward charges, who are more interested in the Canadian soldiers billeted in the main house than in cultivating potatoes, and writes letters in her head to her idol Virginia Woolf, whose recent death has left her feeling bereft. She also tries to seduce the world-weary, hard-drinking Captain Raley, who has a secret of his own that dooms their relationship. Though her conflicts pale next to those of the soldiers waiting to be posted to battle and even those of her new friend, Jane, whose cousin is a casualty of war and whose fiance is missing in action, it is Gwen's quiet self-discovery that is at the center of the novel. Humphreys renders convincingly her first, fleeting experience of deep friendship and love. Unfortunately, the story is sometimes marred by overwrought or cloying prose, though Humphreys's language also has its moments of elegance (during the blitz, "houses become holes. Solids become spaces. Anything can disappear overnight"). Humphreys doesn't quite have the narrative energy of Pat Barker and Jane Gardam, but fans of those authors may enjoy this exploration of the impact of WWII on English life.
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