Prisoner of Paradise - Softcover

Romesh Gunesekera is the author of four novels: Reef, which was shortlisted for both the Booker Prize and the Guardian Fiction Prize, The Sandglass, winner of the inaugural BBC Asia Award, Heaven's Edge, shortlisted for a Commonwealth Writers Prize and a New York Times Notable Book, and The Match. He has also written two collections of short stories: his acclaimed debut Monkfish Moon and a bilingual limited edition book O Colleccionador de Especiarias. He grew up in Sri Lanka and the Philippines and now lives in London. He first visited Mauritius in 1998 where he discovered the beginnings of this novel.

Gunesekera's lush descriptions make you see and smell the island and feel its hot, damp air on your skin Spectator The film is waiting to be made. It's all there: an inverted but murky Pride and Prejudice, paradise spoilt, ill-fated lovers, rascals, imperial wickedness, the cunning of natives, plots and melees and a host of fabulous flowers. Romesh Gunesekera's novel takes the bouquet of romantic clich s and throws it up, makes it soar and scatter, leaving its scent in the air... Exquisite prose awakens all the senses ... a terrific read: pacey, political, moral, atmospheric and yes, definitely romantic -- Yasmin Alibhai-Brown Independent Gunesekera is strikingly adept at delineating the landscape of rootlessness ... [He] has a gentle, generous, deceptively light touch Sunday Times Subtle and convincing, it is life as art, art as life. Gunesekera is gifted and possessed of a rare humility ... [his writing] shows what fiction can do, it shows why fiction is written - and read Irish Times Seriously and movingly, The Prisoner of Paradise contains a very modern message: a plea for the book. It has as much to say about writing as it has about love and colonial misery ... Here are the genuine answers, colourful, arresting, fresh and enormous as any opera -- Todd McEwan Glasgow Herald In this blisteringly lucid novel, it's as if Jane Austen, John Keats, Charles Dickens and even William Burroughs have clubbed together to render a masterful double-take on the 19th century's own ideas of romance and empire, rendered in a colossally skilful, flexible hybrid of the best of English prose and prosody Herald Scotland