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With her delicate, breathy, gossipy prose, Adams slips among her characters like a hostess at a party. Soon the bits and pieces, confidences and asides, fit together into a mosaic of personalities and events that illuminate the coming political and social upheavals of the late '40s. At Swarthmore, ardent, open-minded Abby Baird falls in love with a Jewish physics major with Communist parents. Melanctha Byrd, traumatized by her body image, drops out of Harvard where her brother discovers he's gay. Out in Texas the poet Russ Byrd, who's contemplating writing a play featuring the secret laboratory at Los Alamos, meets an untimely end in the company of a decommissioned black sergeant, raising suspicions of foul play. Meanwhile, back in Pinehill, "people were more aware of the state of Cynthia's lawn and her flowers, of their own lawns and flowers, than of the terrible but distant war." Cynthia cultivates her garden, spars with poor, silly Dolly Bigelow, and carries on a desultory love affair with a war correspondent, until he replaces her with someone else. Pinehill is, after all, a small and complicated Southern town.
With the precise ear and acute observation of a modern Jane Austen, Alice Adams weaves an artful portrait of a town and a time, bittersweet for one generation, perilous and full of potential for the next. Like its predecessor, After the War is a gentle, generous, and enlightening comedy of manners. --Victoria Jenkins
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