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Bo Caldwell's sepia-toned evocation of 1930s Shanghai is lovely and physical, and given the built-in drama of its setting, this first novel ought to have the vividness of a classic movie. Yet the characters remain oddly flat while world events swirl around them. Great chunks of historical exposition seem largely undigested, while Schoene's final change of heart fails to ring true. In a sense, however, these shortcomings are beside the point. The Distant Land of My Father is above all a tragic romance, albeit one with an unusual love interest. Schoene is so besotted with Shanghai that his wife and daughter are scarcely as real to him as the city itself. --Mary Park
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