About the Author:
Harold Robbins (1916–1997) is one of the bestselling American fiction writers of all time, ranking 5th on the World’s Bestselling Fiction Author List just behind William Shakespeare and Agatha Christie. He wrote over 25 bestselling novels, sold more than 750 million copies in 42 languages and spent over 300 weeks combined on The New York Times bestsellers list. His books were adapted into 13 commercially successful films and also television series that garnered numerous Oscar®, Golden Globe®, and Primetime Emmy® nominations starring Steve McQueen, Elvis Presley, Laurence Olivier, Bette Davis, Robert Duvall, Tommy Lee Jones, and more. The self-proclaimed “world’s best writer in plain English,” Robbins wrote novels that resonated with audiences due to their graphic depictions of sex, violence, power, and drugs, and the multilayered complexities of his characters, as evidenced by his bestselling novels Never Love a Stranger, The Carpetbaggers, Where Love Has Gone, and The Adventurers. He once said in an interview: “People make their own choices every day about what they are willing to do. We don’t have the right to judge them or label them. At least walk in their shoes before you do.” Robbins’ personal life was as fascinating to the public as his novels. An enthusiastic participant in the social and sexual revolution of the 1960s, Robbins cultivated a “playboy” image and maintained friendships with stars including Frank Sinatra, Clint Eastwood, Tony Bennett, Sammy Davis, Jr., Dino De Laurentiis, Robert Evans, Ringo Starr, Barbara Eden, Lena Horne, and Quincy Jones, and was one of the first novelists to be prominently featured in gossip magazines, earning him the title of “The World’s First Rock Star Author.”
From Kirkus Reviews:
It's 34 years since The Carpetbaggers ignited Robbins's fame, but the familiar scandals, sex, and skulduggery in this late- breaking sequel have cooled to room temperature. Jonas Cord Jr., whose tumultuous relationship with his father ended lovelessly in The Carpetbaggers, by the 1950s has become the Jonas Cord--rich and powerful. Though he has an 18-year-old daughter, Jonas vows to tell his son (should he ever happen to have one) that he loves him. Surprise! Enter his bastard boy, whose mother, elegant wife of a Cuban statesman, Jonas had deflowered and then spurned when she was an ingenue. Jonas Enrique Raul Cord y Batista--Bart for short--is already a brilliant WW II vet-Harvard- grad-lawyer-polyglot-blond-hunk when he meets Dad, who is determined to add heir and businessman to Junior's list of credits. Bart begins to dip his toe into Jonas's dealings, and before you know it he's up to his neck in Mafia-entangled hotel casino deals, entertainment industry high jinks, and messy family politics. Bart discovers that, like his father, he has a taste for sex, money, power, and conflict. So the two go head to head in round after repetitive round of nervous parent vs. rebellious adolescent: Bart has affair with actress, Dad has affair with her competition; Bart launches loser TV variety show, Dad complains he's botching the job; Bart restructures company, Dad cries sabotage; Dad tells Bart to marry longtime classy girlfriend Toni Maxim, Bart says MYOB. Appearances by such real-lifers as Jack Kennedy (with whom Toni sleeps), Che Guevera, Jimmy Hoffa, Tallulah Bankhead, and Danny Kaye add some spice and historical context. Despite clashes in arenas like the corporate shark tank and the gnarled family tree, there is not much bracing conflict here. But generous doses of heavy breathing and heaving buttocks will likely provide solace for Robbins's stalwart fans. If only the plot were as impressively hung as the men. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
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