Summer Cannibals - Softcover

1

The house had its way of holding them. Their father liked to tell how he’d bought it with a credit card—a cash advance to make up the ten percent needed for the deposit—and it seemed as equally and gloriously ridiculous, that this should all be theirs. That first day, after the papers were signed, the sisters had run laughing and shrieking through the house with its three floors, two staircases, seven bedrooms and all the rest— living, dining, family, library, kitchen, butler’s pantry, bath- rooms, hallways, passageways and entryways. They explored and claimed rooms and then just as quickly relinquished them as they found another and another, shouting that they were lost, crying out that they’d found “the best thing ever,” bare feet thud- ding up and down, up and down, across and over. Doors slammed. Drawers were pulled open and locks fiddled with. The old laundry chute was discovered and heads were put through the small doors on each landing that let into it as they prodded each other, but none of them were brave enough to go to the chute’s terminus in the basement. That rough stonewalled basement the original builders had dynamited from the solid limestone of the escarpment the house was perched on. Beyond the house’s walls, at the base of that cliff, was the city—gridded to the enormous lake like a mesh to keep the jutting land, and all it supported, from tumbling down.
     I can’t hear the children, their father had said, looking at his wife triumphantly. This house swallows them.
     They were leaning on the metal fence at the cliff’s edge, the whole world spread out in front of them, and anyone would think these parents too young to have all this. That something was wrong; a mistake. But they knew that this was nothing less than what they deserved: the five acres of parkland which they would turn into exquisite gardens to surround the grand house with a landscape to match it in size and manner—this had always been owed to them. They were a couple whom people referred to as ‘handsome’ and it suited them because they resonated good breeding and all that went with it: high birth, property, education, bloodlines you could trace back to royalty. They were handsome and they knew it to be true, and theirs was a world that rewarded such things. David and Margaret Blackford were exactly where they were meant to be—at the dead end of a private lane you could drive by without noticing because the newer, smaller houses of the neighbourhood acted like a palisade of brick and mortar to keep the riff-raff out. The lane’s three big houses were dealt in along the cliff’s edge, a vestige from a time when it had all been fields and the founding families of that region had built their houses on the escarpment’s very brow. This view had always been worth braving the winter gales that howled up off the lake and even then, in the early century, the occupants knew the defensible value of a horizon.
     At the lane’s entrance, where it met the ordinary street, was a bulging masonry wall behind which was a cloistered convent: a rundown mysterious place their father forbade them from entering. Even the name of the convent terrified: Sisters of the Precious Blood. Their father, who rarely noticed what his girls whispered about and even more rarely took an interest in it, had—with that single restriction—made the place irresistible. In the years to come, one of the nuns would take daily walks up and down the lane from the convent to the family’s driveway and back again, having taken a vow of silence and contemplation. And the girls would tempt her, with their father’s encouragement, because he saw the nun’s appearance at his property line for what it was: a trespass. They would lounge near the gate on their bicycles and then speed out to intercept, shouting hellos, riding circles, going no-hands, skidding their tires, trying to get her to respond. Doing everything short of touching her as she walked in an eddy of robes like a villain from a comic book, her presence making the vampire crypts and legions of undead seem more likely than ever. And when the sun would go down the girls would scramble to shut their bedroom windows, even on the hottest nights, afraid she’d come for them. As if she were the greatest threat to their security, their little paradise. The only person they had to fear.
     Their driveway, where the nun turned, was defined by two stone pillars which were knocked over regularly by the garbage truck and snowplow. The drivers piled the wreckage back up at new and eccentric angles in a sneering indictment of this fancy house with its crude gateposts that deserved to be bulldozed because maybe then the rich bastards would put up something appropriate, like electric gates with a keypad to come and go. A code they’d have to be trusted with. It was only the cases of beer at Christmastime—put out on the porch steps to freeze overnight—that stopped them from leaving the blocks where they fell. Instead of a metal gate, the girls’ father used an old sawhorse to block the property’s entrance from the regular snoopers who liked to just barely roll their cars along the lane and down the long drive as though this were their right—to take in the acres of gardens and the orchestrated countryside at a crawl, stopping to exclaim over new blooms or a shrub’s lush foliage when their selfsame shrub back at their modest home was still bare. As if that was treason. Just another betrayal to add to their list of grievances against these upstarts who took and kept everything for themselves. The gawkers would stop at the house and look around contemptuously before turning to inch back out, trawling for every shred of evidence to justify their position that here, without question, was the rot underpinning the nation’s decay.
     The girls’ father believed that the simple wooden sawhorse he placed at the gate, with his own hands, was a denial of that judgment that wealth begat indolence because there was something practical and self-reliant about that barrier. And it fit perfectly, he would say, with the Georgian style of the house which echoed gentle country living and turnstiles, fox hunts and steeplechases, noblesse oblige, even though (their mother would remark) this was Hamilton, Canada—a town founded in the monstrous flick- ering shadows of the steel mills on the southern shore of Lake Ontario. A place where at night, deep in the east end, you could see the climbing flames firing the stack that spewed soot onto the narrow red brick houses in the adjacent streets, coating them, Blakean. This was Hamilton, a workers’ town.
     They were sisters: Georgina, Jacqueline and Philippa. Adults
now, and with families of their own, but the youngest, Pippa, was sick. Eight months pregnant with her fifth, she’d left her hus-band and four children in New Zealand and was coming here. The others were coming home too. More than three decades had passed since they’d run through the house on that first day, and there’d been days—too many to count—when the house had sat hard and unloved within its ruffle of green grass and hedge and flower. When the sky was dull and grey and the windows reflected bleakness, all flat and giving nothing back, and it seemed a place of such uncompromising severity that its stone walls would let nothing in or out. And then some mornings, it would rise with the sun and display the warmth inherent in its blocks and the glass would gleam and the garden, that lush profusion, would reflect inward to the rooms and fill the house with life. Figures would move from window to window as though it were a dance and they partnered with the air. And it was on those days that the world was right and days were measured in increments of joy. It was all there was and would ever be. It was family.