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Now Douglas Hofstadter, who's best known for Gödel, Escher, Bach, has taken a shot at it. Certainly he's no stranger to translation theory--his 1997 book, Le Ton Beau de Marot, was a brilliant and unbuttoned meditation on the translator's art, with numerous detours into the hinterlands of cognitive science. Theory and practice are two different matters, however, as Hofstadter is quick to admit: "The thought seemed quite ridiculous: me, with such sparse knowledge of Russian, hoping to clamber up this formidable Everest of translation, a book often said to be next to untranslatable, and square at the center of the inner circle of Russian literature!" Clamber he did, however--and the result is a charming if uneven version of the poem, more beholden to Cole Porter and Ogden Nash than the poet's 19th-century peers. Several of Hofstadter's slangier couplets might have Nabokov spinning in his grave: "Did thus our party boy exhaust / Himself at games, at zero cost?" Still, he manages some of Pushkin's loop-the-loops very nicely:
The air grew warm as days went flying,Clearly Hofstadter's take on the poem goes heavy on the sizzle and fails to capture much of Pushkin's elegant gravity. Still, it's a welcome addition to the ranks, a handsome present to the poet on the occasion of his 200th birthday--and, rather winningly, a linguistic labor of love. --William Davies
And winter knew to call it quits.
Eugene gave up his versifying,
But not the ghost, and not his wits.
He's lent new life by buds aborning,
And first thing on some clear spring morning
He leaves his cloistered, small château
Where, marmot-like, he'd braved the snow.
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