Gertrude and Claudius are the “villains” of Hamlet: he the killer of Hamlet’s father and usurper of the Danish throne; she his lusty consort, who marries Claudius before her late husband’s body is cold. But in this imaginative “prequel” to the play, John Updike makes a case for the royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and family dysfunction, on a stage darkened by the ominous shadow of a sullen, erratic, disaffected prince. “I hoped to keep the texture light,” Updike said of this novel, “to move from the mists of Scandinavian legend into the daylight atmosphere of the Globe. I sought to narrate the romance that preceded the tragedy.”
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The amused play of her mouth and eyes, the casual music of her considerate voice, a glimpse of her bare feet and rosy morning languor were to him amorous nutrition enough: at this delicate stage the image of more would have revolted him.... What we love, he understood from the poetry of Provence, where his restless freelancing had more than once taken him, is less the gift bestowed, the moon-mottled nakedness and wet-socketed submission, than the Heavenly graciousness of bestowal.Subtract the poetry (and leave in the wet-socket business) and we're not too far from Rabbit Angstrom. As in the bulk of his fiction--and most conspicuously in the underrated In the Beauty of the Lilies--Updike sacrifices artistic firepower when he goes archaic on us. That explains why Gertrude and Claudius gets off to a wobbly start, with the author's medieval diction careening all over the page. But once his narrative gets up to speed, Updike dispenses one brilliant bit of perception after another. Note, for example, Ophelia's teeth, "given an almost infantile roundness by her low, palely pink gums, and tilted very slightly inward, so her smile imparted a glimmering impression of coyness, with even something light-heartedly wanton about it." Who else could make mere dentition such a window into the soul?
Gertrude and Claudius also amounts to a running theological argument, in which men constantly impale themselves on metaphysical principle while the adulterous queen is willing "to accept the world at face value, as a miracle daily renewed." (That would explain Gertrude's snap diagnosis of her neurotic son: "Too much German philosophy.") A superlative satellite to Shakespeare's creation, Updike's novel is likely to retain a kind of subordinate rank, even within his own capacious body of work. Still, it's packed with enough post-Elizabethan insight about men and women, parents and children, to suggest that the play's not the thing--not always, anyway. --James Marcus
"Its skitter of fireworks, as ingenious (and protracted) as any Updike has arranged, lights up the darkness over territory won in a lifelong literary engagement. The book illuminates questions about Shakespeare, about what a classic means and also the unexplored hills and forests that lie on either side of the path art pushes through them."
-- Richard Eder, The New York Times Book Review
"Witty...fresh and moving...engrossing enough on its own terms to stand independently of Shakespeare's play"
-- Paul Gray, Time
"A living, powerfully physical work"
-- Brooke Allen, Wall Street Journal
"Updike and Shakespeare: 'Tis a consummation devoutly to be wished."
-- Ron Charles, Christian Science Monitor
"Updike has managed to create in Gertrude a genuinely compelling character, a woman who is, by turns, vulnerable and outspoken, daring and naive...One of his most sympathetic and persuasive female characters yet"
-- Michiko Kakutani, New York Times
"Witty, elegantly wrought...absorbing in its own right as the story of an adulterous affair in a world where illicit love is far more perilous than it is in ours."
-- Howard Kissel, Daily News
"You can feel Updike's pleasure and intellectual curiosity throughout this novel...There is something delightful about following Updike down this path, seeing his sentiments and sympathies unfold, watching him deftly handle the text of Hamlet and the spiritual ambiguities that surround it."
-- Gail Caldwell, Boston Globe
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Book Description Paperback. Condition: new. Paperback. Gertrude and Claudius are the villains of Hamlet: he the killer of Hamlets father and usurper of the Danish throne; she his lusty consort, who marries Claudius before her late husbands body is cold. But in this imaginative prequel to the play, John Updike makes a case for the royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and family dysfunction, on a stage darkened by the ominous shadow of a sullen, erratic, disaffected prince. I hoped to keep the texture light, Updike said of this novel, to move from the mists of Scandinavian legend into the daylight atmosphere of the Globe. I sought to narrate the romance that preceded the tragedy. In his brilliant novel, Updike tells the story of Gertrude and Claudius, Kingand Queen of Denmark, before the action of Shakespeare's "Hamlet" begins. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780449006979
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