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The Man Who Was Mark Twain: Images and Ideologies - Hardcover

 
9780300049503: The Man Who Was Mark Twain: Images and Ideologies

“Americans have cherished and magnified versions of an idealized Mark Twain. We admire and are amused by the celebrity, who sold his pseudonym and his carefully composed face to advertise pipe tobacco, cigarettes, whiskey, and postcards. The extent to which the received images are authentic or inauthentic is, however, in doubt. Common images must be modified when we examine the thoughts and emotions important to the mind and heart of Samuel L. Clemens, the private man.”―from the Introduction

 

No writer has been more frequently identified with America than Mark Twain, an emblematic figure often supposed to represent the essential qualities that make America most admirably American. In a fresh appraisal, supported by evidence from both the life and the writings, Guy Cardwell convincingly revises our images of this cultural icon. He portrays an exceptionally complex man who experienced debilitating tensions and neuroses.

 

Caldwell finds that even before the comedian from the West met and married Olivia Langdon, the heiress from Elmira, New York, he was ambitious to join and conquer the world of Eastern affluence and gentility. Yet Clemens’s jokes (in his private notebooks) aggressing against women and blacks suggest that his acculturation to gentility was never complete. This book throws new light on Clemens’s relations with his wife and her family and on his attitudes toward business, money, art, sex, and the little girls whose company he sought compulsively during his later years. It argues persuasively that in the end Twain was hardly the robust and genial representative of America’s mythic frontier past. Alienated from society and from his own writings, he was much more the prototype of the overstrung, exploitatively individualistic modern American.

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From Library Journal:
Arguing that Twain's biographers have always seen him, for better or worse, as the embodiment of the national character, Cardwell draws on a wide range of Twain's writing (some of it newly available) to give us (in a style often marred by jargon) a wide-ranging, fresh psychoanalysis of a neurotic who was a compulsive speculator, sexist, pedophile, and, even in Huckleberry Finn (the only work treated in detail), a racist from first to last. Steinbrink's beautifully written work focuses exclusively on the crucial years 1867-1871 (from Twain's move east to his completion of Roughing It ) to show how Twain came to terms with wife Livy's formidably respectable family and accommodated his comic Western persona to Eastern literary expectations. While both biographers seem indebted to Justin Kaplan's 1966 portrait of a neurotically conflicted Clemens-Twain personality ( Mr. Clemens and Mark Twain , LJ 6/1/66), Steinbrink, particularly helpful in tracking Clemens's dissatisfaction with newspaper editing and his struggle to complete Roughing It , is less clinical, more sympathetic, and more accessible than Cardwell. Both, however, are fresh and intriguing.
- Charles C. Nash, Cottey Coll., Nevada, Mo.
Copyright 1991 Reed Business Information, Inc.

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  • PublisherYale University Press
  • Publication date1991
  • ISBN 10 0300049501
  • ISBN 13 9780300049503
  • BindingHardcover
  • Edition number1
  • Number of pages296

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